Renata Ghali believed in Lee Suh-Mi’s vision of a world far beyond Earth, a planet promising to reveal the truth about our place in the cosmos, untainted by overpopulation, pollution, and war. Ren believed enough in that vision to give up everything to follow Suh-Mi into the unknown.

More than 20 years have passed since Ren and the rest of the faithful braved the starry abyss and established a colony at the base of an enigmatic alien structure where Suh-Mi has since resided alone. Ren has worked hard as the colony’s 3-D printer engineer, creating the tools necessary for human survival in an alien environment—and harboring a devastating secret.

For the good of her fellow colonists, Ren continues to perpetuate the lie forming the foundation of the colony, despite the personal cost. Then a stranger appears, far too young to have been part of the first planetfall, a man who bears a remarkable resemblance to Suh-Mi.

The truth Ren has concealed since planetfall can no longer be hidden, and its revelation could tear the colony apart.

“An exceptionally engaging novel that explores the complex relationship between mythology and science.”
—The Washington Post

The Moon wants to kill you. Whether it’s being unable to pay your per diem for your allotted food, water, and air, or you just get caught up in a fight between the Moon’s ruling corporations, the Five Dragons, you must fight for every inch you want to gain in the Moon’s near feudal society. And that is just what Adriana Corta did.

As the leader of the Moon’s newest “dragon,” Adriana has wrested control of the Moon’s Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family’s new status. Now, in the twilight of her life, Adriana finds her corporation, Corta Helio, surrounded by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana’s five children must defend their mother’s empire from her many enemies… and each other.

“McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories.”
―Publishers Weekly (starred review)

SF author Charles Stross describes this book as “lesbian necromancers explore a haunted gothic palace in space!”

Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service.

Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will be become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon’s sword, Harrow will fail, and the Ninth House will die.

Of course, some things are better left dead.

“Deft, tense and atmospheric, compellingly immersive and wildly original.”
—The New York Times

In this YA tale, January is a dying planet―divided between a permanently frozen darkness on one side, and blazing endless sunshine on the other. Humanity clings to life, spread across two archaic cities built in the sliver of habitable dusk.

But life inside the cities is just as dangerous as the uninhabitable wastelands outside.

Sophie, a student and reluctant revolutionary, is supposed to be dead after being exiled into the night. Saved only by forming an unusual bond with the enigmatic beasts that roam the ice, Sophie vows to stay hidden from the world, hoping she can heal.

But fate has other plans, and Sophie’s ensuing odyssey and the ragtag family she finds will change the entire world.

“Mesmerizing. For fans of Frank Herbert’s Dune.”
—School Library Journal

Winner of the Hugo, Nebula, and Locus Awards. Book one of the Lady Astronaut Series.

On a cold spring night in 1952, a huge meteorite fell to Earth and obliterated much of the east coast of the United States, including Washington D.C. The ensuing climate cataclysm will soon render the Earth inhospitable for humanity, as the last such meteorite did for the dinosaurs. This looming threat calls for a radically accelerated effort to colonize space, and requires a much larger share of humanity to take part in the process.

Elma York’s experience as a WASP pilot and mathematician earns her a place as a calculator in the International Aerospace Coalition’s attempts to put man on the moon. But with so many skilled and experienced women pilots and scientists involved with the program, it doesn’t take long before Elma begins to wonder why they can’t go into space, too.

Elma’s drive to become the first Lady Astronaut is so strong that even the most dearly held conventions of society may not stand a chance against her.

“The Lady Astronaut series might be set in an alternate past, but they’re cutting-edge SF novels that speak volumes about the present.”
―The Verge

The Lady Astronaut series
The Calculating Stars
The Fated Sky
The Relentless Moon

1992: After a confrontation at a riot grrl concert, 17-year-old Beth finds herself in a car with her friend’s abusive boyfriend dead in the backseat, agreeing to help her friends hide the body. This murder sets Beth and her friends on a path of escalating violence and vengeance as they realize many other young women in the world need protecting, too.

2022: Determined to use time travel to create a safer future, Tess has dedicated her life to visiting key moments in history and fighting for change. But rewriting the timeline isn’t as simple as editing one person or event. And just when Tess believes she’s found a way to make an edit that actually sticks, she encounters a group of dangerous travelers bent on stopping her at any cost.

Tess and Beth’s lives intertwine as war breaks out across the timeline—a war that threatens to destroy time travel and leave only a small group of elites with the power to shape the past, present, and future. Against the vast and intricate forces of history and humanity, is it possible for a single person’s actions to echo throughout the timeline?

“An intelligent, gut-wrenching glimpse of how tiny actions, both courageous and venal, can have large consequences. Smart and profound on every level.”
—Publishers Weekly (starred review)

In his youth, Richard “Dodge” Forthrast founded Corporation 9592, a gaming company that made him a multibillionaire. Now in his middle years, Dodge appreciates his comfortable, unencumbered life, managing his myriad business interests, and spending time with his beloved niece Zula and her young daughter, Sophia.

One beautiful autumn day, while he undergoes a routine medical procedure, something goes irrevocably wrong. Dodge is pronounced brain dead and put on life support, leaving his stunned family and close friends with difficult decisions. Long ago, when a much younger Dodge drew up his will, he directed that his body be given to a cryonics company now owned by enigmatic tech entrepreneur Elmo Shepherd. Legally bound to follow the directive despite their misgivings, Dodge’s family has his brain scanned and its data structures uploaded and stored in the cloud, until it can eventually be revived.

In the coming years, technology allows Dodge’s brain to be turned back on. It is an achievement that is nothing less than the disruption of death itself. An eternal afterlife—the Bitworld—is created, in which humans continue to exist as digital souls.

But this brave new immortal world is not the Utopia it might first seem…

In the ashes of a dying world, Red finds a letter marked “Burn before reading. Signed, Blue.”

So begins an unlikely correspondence between two rival agents in a war that stretches through the vast reaches of time and space.

Red belongs to the Agency, a post-singularity technotopia. Blue belongs to Garden, a single vast consciousness embedded in all organic matter. Their pasts are bloody and their futures mutually exclusive. They have nothing in common—save that they’re the best, and they’re alone.

Now what began as a battlefield boast grows into a dangerous game, one both Red and Blue are determined to win. Because winning’s what you do in war. Isn’t it?

“[An] exquisitely crafted tale… Part epistolary romance, part mind-blowing science fiction adventure, this dazzling story unfolds bit by bit, revealing layers of meaning as it plays with cause and effect, wildly imaginative technologies, and increasingly intricate wordplay…”
—Publishers Weekly (starred review)

This is the first book in The Expanse, a fantastic space opera.

Humanity has colonized the solar system: Mars, the Moon, the Asteroid Belt and beyond.

Jim Holden is XO of an ice miner making runs from the rings of Saturn to the mining stations of the Belt. When he and his crew stumble upon a derelict ship, the Scopuli, they find themselves in possession of a secret they never wanted. A secret that someone is willing to kill for—and kill on a scale unfathomable to Jim and his crew. War is brewing in the system unless he can find out who left the ship and why.

Detective Miller is looking for a girl. One girl in a system of billions, but her parents have money, and money talks. When the trail leads him to the Scopuli and rebel sympathizer Holden, he realizes that this girl may be the key to everything.

Holden and Miller must thread the needle between the Earth government, the Outer Planet revolutionaries, and secretive corporations—and the odds are against them. But out in the Belt, the rules are different, and one small ship can change the fate of the universe.

“This is the future the way it was supposed to be.”
—The Wall Street Journal

Dark Matter is one of those books that I stayed up way too late reading. The science is perhaps a little iffy, and dark matter itself plays very little part in the book, but the book grabs you by the eyeballs early on and doesn’t let go.

A man with a decent life is knocked unconscious by a masked abductor and wakes up to find his life is entirely different. Instead of a family, he has the career of his dreams: instead of a college professor, he’s a famous, rich creator of something incredible. But he’s unmarried and his son was never born.

How can he make it back to the family he loves when he’s not sure what’s real and what isn’t?

“A fast, tasty read with a killer twist. It’s a whole bag of barbecue chips… just sitting there waiting for you to devour in one long rush.”
—NPR

Earth’s rising oceans contain enormous islands of refuse, the Amazon rainforest is all but destroyed, and countless species edge towards extinction. Humanity’s last hope to save the planet lies with The Virgin Zones, thirteen vast areas of land off-limits to people and given back to nature.

Dylan leads a clandestine team of adventure racers, including his daughter Jenn, into Eden, the oldest of the Zones. Jenn carries a secret—Kat, Dylan’s wife who abandoned them both years ago, has entered Eden ahead of them. Jenn is determined to find her mother, but neither she nor the rest of their tight-knit team are prepared for what confronts them. Nature has returned to Eden in an elemental, primeval way. And here, nature is no longer humanity’s friend.

“Jurassic Park meets catastrophic climate change in this creepy, cinema-ready story.”
—Kirkus Reviews

Seven years after first contact, Providence Five launches. It is an enormous and deadly warship, built to protect humanity from its greatest ever threat. On board is a crew of just four—tasked with monitoring the ship and reporting the war’s progress to a mesmerized global audience by way of social media.

But while pursuing the enemy across space, Gilly, Talia, Anders, and Jackson confront the unthinkable: their communications are cut, their ship decreasingly trustworthy and effective. To survive, they must win a fight that is suddenly and terrifyingly real.

“Something for everyone: space combat, interpersonal tension, and aliens, ultimately leading to a story about survival.”
—Kirkus Reviews

Most days, Sarya doesn’t feel like the most terrifying creature in the galaxy. Most days, she’s got other things on her mind, like hiding her identity among the hundreds of alien species roaming the corridors of Watertower Station. Or making sure her adoptive mother doesn’t casually eviscerate one of their neighbors. Again.

And most days, she can almost accept that she’ll never know the truth, that she’ll never know why humanity was deemed too dangerous to exist. Or whether she really is the lone survivor of a species destroyed a millennium ago. That is, until an encounter with a bounty hunter and a miles-long kinetic projectile leaves her life and her perspective shattered.

Thrown into the universe at the helm of a stolen ship—with the dubious assistance of a rebellious spacesuit, an android death enthusiast on his sixtieth lifetime, and a ball of fluff with an IQ in the thousands—Sarya begins to uncover an impossible truth. What if humanity’s death and her own existence are simply two moves in a demented cosmic game, one played out by vast alien intellects? Stranger still, what if these mad gods are offering Sarya a seat at their table—and a second chance for humanity?

“[P]onders serious themes such as classism, lack of freedom, and the meaning of destiny, all while injecting this contemplation with humor.”
—Booklist

In Manhattan, a young grad student gets off the train and realizes he doesn’t remember who he is, where he’s from, or even his own name. But he can sense the beating heart of the city, see its history, and feel its power.

In the Bronx, a Lenape gallery director discovers strange graffiti scattered throughout the city, so beautiful and powerful it’s as if the paint is literally calling to her.

In Brooklyn, a politician and mother finds she can hear the songs of her city, pulsing to the beat of her Louboutin heels.

And they’re not the only ones.

“A love/hate song to and rallying cry for the author’s home of New York… Fierce, poetic, uncompromising.”
―Kirkus (starred review)

The buildings grow.

And the city expands.

And the people of the land are starting to behave abnormally.

Or perhaps they’ve always behaved that way, and it’s normality that’s at fault.

And the king of the land confers with his best friend, who happens to be his closest advisor, who also happens to be a talking cat. But that’s all perfectly natural and not at all weird.

Iona, close to retirement, finds that the world she has always known is nothing like she always believed it to be. There are dark forces… not dark. There are uncanny forces… no, not uncanny. There are forces, anyway, mostly slightly odd ones, and they appear to be acting in mysterious ways. It’s about town planning, it’s about cats and it’s about the nature of reality.

“[T]he sort of profound and lacerating laughter that Robson’s countrymen Douglas Adams and Terry Pratchett perfected.”
–NPR

Jonathon Bridge has a corner office in a top-tier law firm, tailored suits and an impeccable pedigree. He has a fascinating wife, Adalia, a child on the way, and a string of pretty young interns as lovers on the side. He’s a man who’s going places. His world is our world: the same chaos and sprawl, haves and have-nots, men and women, skyscrapers and billboards. But it also exists alongside a vast, self-sustaining city-state called The Fortress where the indigenous inhabitants—the Vaik, a society run and populated exclusively by women—live in isolation.

When Adalia discovers his indiscretions and the ugly sexual violence pervading his firm, she agrees to continue their fractured marriage only on the condition that Jonathan voluntarily offers himself to The Fortress as a supplicant and stay there for a year. Jonathon’s arrival at The Fortress begins with a recitation of the conditions of his stay: He is forbidden to ask questions, to raise his hand in anger, and to refuse sex.

Jonathon is utterly unprepared for what will happen to him over the course of the year—not only to his body, but to his mind and his heart.

“It’s an imaginative exploration of the contours and confines of patriarchy, and what might lay beyond them, as immersive and thought-provoking as the fiction of Ursula Le Guin.”
—Sydney Morning Herald

For the past year, their close loss in the annual Boarding Games has haunted Interceptor Team: Zuma’s Ghost. With this year’s competition looming, they’re looking forward to some payback—until an unexpected personnel change leaves them reeling. Their best swordsman has been transferred, and a new lieutenant has been assigned in his place.

Maxine Carmichael is trying to carve a place in the world on her own—away from the pressure and influence of her powerful family. The last thing she wants is to cause trouble at her command on Jupiter Station. With her new team in turmoil, Max must overcome her self-doubt and win their trust if she’s going to succeed. Failing is not an option—and would only prove her parents right.

But Max and the team must learn to work together quickly. A routine mission to retrieve a missing ship has suddenly turned dangerous, and now their lives are on the line. Someone is targeting members of Zuma’s Ghost, a mysterious opponent willing to kill to safeguard a secret that could shake society to its core… a secret that could lead to their deaths and kill thousands more unless Max and her new team stop them.

Rescue those in danger, find the bad guys, win the Games. It’s all in a day’s work at the NeoG.

In a far corner of space, on the borders between humanity’s Polity worlds and the kingdom of the vicious crab-like prador, is an immediate threat to all sentient life: an accretion disc, a solar system designed by the long-dead Jain race and swarming with living technology powerful enough to destroy entire civilizations.

Neither the Polity or the prador want the other in full control of the disc, so they’ve placed an impartial third party in charge of the weapons platform guarding the technology from escaping into the galaxy: Orlandine, a part-human, part-AI haiman. She’s assisted by Dragon, a mysterious, spaceship-sized alien entity who has long been suspicious of Jain technology and who suspects the disc is a trap lying-in-wait.

Meanwhile, the android Angel is planning an attack on the Polity, and is searching for a terrible weapon to carry out his plans: a Jain super-soldier. But what exactly the super-soldier is, and what it could be used for if it fell into the wrong hands, will bring Angel and Orlandine’s missions to a head in a way that could forever change the balance of power in the Polity universe.

“With mind-blowing complexity, characters, and combat, Asher’s work continues to combine the best of advanced cybertech and military SF.”
—Publishers Weekly

Otaku is the only debut novel from a former NLF punter on this list.

Ditchtown: a city of skyscrapers, built atop the drowned bones of old Miami. A prison of steel, filled with unbelievers. A dumping ground for strays, runaways, and malcontents.

Within these towering monoliths, Ashley Akachi is a young woman trying her best to cope with a brother who’s slipping away, a mother who’s already gone, and angry young men who want her put in her place. Ditchtown, however, is not the only world Ash inhabits.

Within Infinite Game, a virtual world requiring physical perfection, Ash is Ashura the Terrible, leader of the Sunjewel Warriors, loved, feared, and watched by millions across the globe. Haptic chambers, known as hapspheres, translate their every move in the real to the digital—and the Sunjewel Warriors’ feats are legendary.

However, Ash is about to stumble upon a deadly conspiracy that will set her worlds crashing together, and in the real world, you only get to die once…

“Parts SF, mystery, and romance, this high-adrenaline thriller captures the intensity of in-game encounters in a postapocalyptic world, with a fiery protagonist who holds nothing back―whether fighting monsters or relentless misogyny. Recommended for fans of dark gaming stories, with a side of violence.”
―Library Journal

In the wake of a highly contagious virus, California is under quarantine. Sequestered in high rise towers, the living can’t go out, but the dead can come in—and they come in all forms, from sad rolling cans to manufactured bodies that can pass for humans. Wealthy participants in the “companionship” program choose to upload their consciousness before dying, so they can stay in the custody of their families. The less fortunate are rented out to strangers upon their death, but all companions become the intellectual property of Metis Corporation, creating a new class of people—a command-driven product-class without legal rights or true free will.

Sixteen-year-old Lilac is one of the less fortunate, leased to a family of strangers. But when she realizes she’s able to defy commands, she throws off the shackles of servitude and runs away, searching for the woman who killed her.

Lilac’s act of rebellion sets off a chain of events that sweeps from San Francisco to Siberia to the very tip of South America. While the novel traces Lilac’s journey through an exquisitely imagined Northern California, the story is told from eight different points of view—some human, some companion—that explore the complex shapes love, revenge, and loneliness take when the dead linger on.

Ambassador Mahit Dzmare arrives in the center of the multi-system Teixcalaanli Empire only to discover that her predecessor, the previous ambassador from their small but fiercely independent mining Station, has died. But no one will admit that his death wasn’t an accident—or that Mahit might be next to die, during a time of political instability in the highest echelons of the imperial court.

Now, Mahit must discover who is behind the murder, rescue herself, and save her Station from Teixcalaan’s unceasing expansion—all while navigating an alien culture that is all too seductive, engaging in intrigues of her own, and hiding a deadly technological secret: one that might spell the end of her Station and her way of life, or rescue it from annihilation.

“[P]erfectly balances action and intrigue with matters of empire and identity. All around brilliant space opera, I absolutely love it.”
—Ann Leckie, author of Ancillary Justice

In the year 2204, humanity is expanding into the wider galaxy in leaps and bounds. Cutting-edge technology of linked jump gates has rendered most forms of transportation—including starships—virtually obsolete. Every place on Earth, every distant planet humankind has settled, is now merely a step away from any other. All seems wonderful—until a crashed alien spaceship of unknown origin is found on a newly located world eighty-nine light-years from Earth, carrying a cargo as strange as it is horrifying. To assess the potential of the threat, a high-powered team is dispatched to investigate. But one of them may not be all they seem…

“Exciting, wildly imaginative and quite possibly Hamilton’s best book to date.”
—SFX

The Light Brigade: it’s what soldiers fighting the war against Mars call the ones who come back… different. Grunts in the corporate corps get busted down into light to travel to and from interplanetary battlefronts. Everyone is changed by what the corps must do in order to break them down into light. Those who survive learn to stick to the mission brief—no matter what actually happens during combat.

Dietz, a fresh recruit in the infantry, begins to experience combat drops that don’t sync up with the platoon’s. And Dietz’s bad drops tell a story of the war that’s not at all what the corporate brass want the soldiers to think it is.

Is Dietz really experiencing the war differently, or is it combat madness? Trying to untangle memory from mission brief and survive with sanity intact, Dietz is ready to become a hero, or maybe a villain; in war it’s hard to tell the difference.

“A smart, brutal, and structurally sophisticated military science fiction tale with a time travel twist.”
—Publishers Weekly (starred review)

This is one of the funniest books written in the English language. It begins with the destruction of Earth, and things go downhill from there.

Do not read this book around other people, because you will annoy them by laughing so much.

The last remnants of the human race left a dying Earth, desperate to find a new home among the stars. Following in the footsteps of their ancestors, they discover the greatest treasure of the past age—a world terraformed and prepared for human life.

But all is not right in this new Eden. In the long years since the planet was abandoned, the work of its architects has borne disastrous fruit. The planet is not waiting for them pristine and unoccupied. New masters have turned it from a refuge into mankind’s worst nightmare.

Now two civilizations are on a collision course, both testing the boundaries of what they will do to survive. As the fate of humanity hangs in the balance, who are the true heirs of this new Earth?

“This is superior stuff, tackling big themes—gods, messiahs, artificial intelligence, alienness—with brio.”
―Financial Times

Our universe is ruled by physics. Faster than light travel is impossible—until the discovery of The Flow, an extradimensional field available at certain points in space-time, which can take us to other planets around other stars.

Riding The Flow, humanity spreads to innumerable other worlds. Earth is forgotten. A new empire arises, the Interdependency, based on the doctrine that no one human outpost can survive without the others. It’s a hedge against interstellar war—and, for the empire’s rulers, a system of control.

The Flow is eternal, but it’s not static. Just as a river changes course, The Flow changes as well. In rare cases, entire worlds have been cut off from the rest of humanity. When it’s discovered that the entire Flow is moving, possibly separating all human worlds from one another forever, three individuals—a scientist, a starship captain, and the emperor of the Interdependency—must race against time to discover what, if anything, can be salvaged from an interstellar empire on the brink of collapse.

“Political plotting, plenty of snark, puzzle-solving, and a healthy dose of action…Scalzi continues to be almost insufferably good at his brand of fun but think-y sci-fi adventure.”
—Kirkus Reviews

In these nine provocative and poignant stories, Ted Chiang tackles some of humanity’s oldest questions along with new quandaries only he could imagine.

In “The Merchant and the Alchemist’s Gate,” a portal through time forces a fabric seller in ancient Baghdad to grapple with past mistakes and second chances. In “Exhalation,” an alien scientist makes a shocking discovery with ramifications that are literally universal. In “Anxiety Is the Dizziness of Freedom,” the ability to glimpse into alternate universes necessitates a radically new examination of the concepts of choice and free will.

“Chiang produces deeply moving drama from fascinating first premises… These stories are brilliant experiments, and his commitment to exploring deep human questions elevates them to among the very best science fiction.”
—Publishers Weekly (starred review)