My kid is learning to play the piano, and part of that is using dynamics: playing some parts of the song quiet, and some parts loud. Dynamics add contrast and make a song more interesting. Unfortunately, Jonathan Lethem’s book Girl in Landscape, while being extremely well-written, lacks dynamics. It’s heavy, and stays heavy throughout.
Fantasy author Terry Pratchett is famous for his Discworld series, comprised of over forty books taking place on a round, flat world perched on the back of four giant elephants who stand on the shell of a enormous space-faring sea turtle.
But before fantasy-trope-skewering Discworld, Pratchett wrote Strata, a science fiction book that explored the idea of how a flat, round world would actually work. Many of the ideas in Strata appear in the Discworld books.
If you’re a child of the 80s, reading Ready Player One is like mainlining heroin-strength nostalgia. It’s so ridiculously fun that I frequently imagined author Ernest Cline giggling and saying to himself, “I can’t believe I’m getting away with this!”
I think author David Wong has invented “trailerpunk”—intelligent, funny, but low-income and low-achieving people save the world in all his books. In his latest, the near-future Futuristic Violence and Fancy Suits, a young woman with a horrible cat is forced to fend off a deeply psychotic and wildly enhanced billionaire cyborg.
Lou: “You know what? You’ve got spunk.”
Mary: “Well, ye—”
Lou: “I hate spunk!”
— First episode of The The Mary Tyler Moore Show, 1970