The Rise and Fall of D.O.D.O. is brilliant, fast-paced, and will give you sore wrists because it’s a thick, heavy book, but you will not want to put it down.
An expert in ancient languages is hired by a mysterious government agency to translate some documents that suggest that magic actually once existed in the world. But the advance of science caused magic to disappear in 1851. However, the existence of a two-hundred-year-old witch and some fancy technology allow a limited amount of magic to occur in this world, and soon the language expert and others are being sent back in time to repair history. And, if they’re lucky, bring magic back to the world. Continue reading
The Breach is a fast-paced thriller, a firehose of plot unburdened with character development. A lone hiker in Alaska comes across a downed airliner with the dead bodies of the American First Lady and several others, along with an empty box that suggests a strange missing item. Continue reading
My kid is learning to play the piano, and part of that is using dynamics: playing some parts of the song quiet, and some parts loud. Dynamics add contrast and make a song more interesting. Unfortunately, Jonathan Lethem’s book Girl in Landscape, while being extremely well-written, lacks dynamics. It’s heavy, and stays heavy throughout.
Fantasy author Terry Pratchett is famous for his Discworld series, comprised of over forty books taking place on a round, flat world perched on the back of four giant elephants who stand on the shell of a enormous space-faring sea turtle.
But before fantasy-trope-skewering Discworld, Pratchett wrote Strata, a science fiction book that explored the idea of how a flat, round world would actually work. Many of the ideas in Strata appear in the Discworld books.
Author Kim Stanley Robinson has written some great books, including the Mars trilogy (Red Mars, Green Mars, Blue Mars) and 2312, but Red Moon is a bust.
If you’re a child of the 80s, reading Ready Player One is like mainlining heroin-strength nostalgia. It’s so ridiculously fun that I frequently imagined author Ernest Cline giggling and saying to himself, “I can’t believe I’m getting away with this!”
I think author David Wong has invented “trailerpunk”—intelligent, funny, but low-income and low-achieving people save the world in all his books. In his latest, the near-future Futuristic Violence and Fancy Suits, a young woman with a horrible cat is forced to fend off a deeply psychotic and wildly enhanced billionaire cyborg.
To Say Nothing of the Dog is one of the funniest science fiction books I’ve ever read. It isn’t a silly, knee-slapping romp like The Hitchhiker’s Guide to the Galaxy, but a calmer story that relies more on character interactions than external craziness.
Lou: “You know what? You’ve got spunk.”
Mary: “Well, ye—”
Lou: “I hate spunk!”
— First episode of The The Mary Tyler Moore Show, 1970