If you’re a child of the 80s, reading Ready Player One is like mainlining heroin-strength nostalgia. It’s so ridiculously fun that I frequently imagined author Ernest Cline giggling and saying to himself, “I can’t believe I’m getting away with this!”
Nominated for a Hugo, Nebula, and Locus awards in 1975, The Mote in God’s Eye has not aged particularly well. There are some clever twists and exciting sequences in this far-future first-contact tale, and the alien Motes are, in some ways, truly alien.
A ship, powered by a tame black hole, is on a multi-million year mission to place wormholes throughout the galaxy, allowing humans to travel interstellar distances. The people on this ship are awoken by an AI for a couple days every ten thousand years or so to create these wormholes.
The people on board the ship discover something’s not right. But how do you solve anything when you’re in cryosleep for thousands of years at a stretch?
Tom Barren in All Our Wrong Todays is from an ideal version of our present time. No war, no poverty, jet packs for all, and pretty much every starry-eyed prediction made in the 1950’s has come true. It’s awesome. But then Tom loses the love of his life and in his iffy mental state, does something stupid with a time machine. He screws everything up so badly that his amazing 2016 turns into a crap 2016: that is, our 2016. Now he’s got to fix it. Except that the love of his life is alive in our 2016…
In the dream-like Annihilation, a section of the Californian coast has turned so weird that it’s now called Area X. This happened thirty years ago, and no one on the outside knows why everyone inside Area X died, why there are weird structures inside, or why there’s a border you can’t get through except through one invisible entrance. Is it a slow alien invasion, a mass hallucination, or something else?
Victor Schmud: Total Expert is a fun, mildly bonkers series for young readers (ages 7-10) by Jim Benton, the guy who created the Franny K. Stein series. Victor plows through the world with an unfettered imagination, an unshakeable confidence, and a comes-and-goes hold on reality.
I think author David Wong has invented “trailerpunk”—intelligent, funny, but low-income and low-achieving people save the world in all his books. In his latest, the near-future Futuristic Violence and Fancy Suits, a young woman with a horrible cat is forced to fend off a deeply psychotic and wildly enhanced billionaire cyborg.