When authors hit it out of the park on their first book, they often go on to have stellar careers, but some, including a few authors on this list, decide one is enough.
Earth is introduced to extraterrestrial life by the Galactics, who tell world leaders that an invasion by another alien race, the Posleen, is coming, and they are bringing with them a terrible book cover.
A Hymn Before Battle is the first book in Ringo’s Legacy of the Aldenata series, which already has twelve books, and at least two more planned.
“An exceedingly impressive first novel… executed with skill, verve, and wit.”
When talking about this book, you have to list the awards it’s won—the Hugo, the Tiptree, the Lambda, the Locus, a Nebula nomination. This is a book about a future many don’t agree with. It’s set in a 22nd century dominated by Communist China and the protagonist is a gay man. These aren’t the usual tropes of science fiction, and they aren’t written in the usual way.
“A first novel this good gives every reader a chance to share in the pleasure of discovery; to my mind, Ms. McHugh’s achievement recalls the best work of Delany and Robinson without being in the least derivative.”
―The New York Times
Darrow is a Red, a member of the lowest caste in the color-coded society of the future. Like his fellow Reds, he works all day, believing that he and his people are making the surface of Mars livable for future generations. He spends his life willingly, knowing that his blood and sweat will one day result in a better world for his children. But Darrow and his kind have been betrayed. Soon he discovers that humanity reached the surface generations ago. Vast cities and sprawling parks spread across the planet.
Darrow—and Reds like him—are nothing more than slaves to a decadent ruling class. Inspired by a longing for justice, and driven by the memory of lost love, Darrow sacrifices everything to infiltrate the legendary Institute, a proving ground for the dominant Gold caste, where the next generation of humanity’s overlord struggles for power. He will be forced to compete for his life and the very future of civilization against the best and most brutal of Society’s ruling class. There, he will stop at nothing to bring down his enemies…even if it means he has to become one of them to do so.
“[A] spectacular adventure… one heart-pounding ride… dizzyingly good.”
Sandoz is a Jesuit priest and linguist, part of the crew sent to explore a new planet. What they find is a civilization so alien and incomprehensible that they feel compelled to wonder what it means to be human.
Sandoz is the only surviving member of the crew and upon his return he is confronted by public inquisition and accusations of the most heinous crimes imaginable. His faith utterly destroyed, crippled and defenseless, his only hope is to tell his tale. But the truth may be more than Earth is willing to accept.
Some readers find this book provocative and compelling, while others were a little let down by the ending.
Mycroft Canner is a convict. For his crimes, he is required, as is the custom in the 25th century, to wander the world being as useful as he can to all he meets. Carlyle Foster is a sensayer—a spiritual counselor in a world that has outlawed the public practice of religion, but which also knows that the inner lives of humans cannot be wished away.
The world into which Mycroft and Carlyle have been born is as strange to our 21st-century eyes as ours would be to one born in the 1500s. It is a hard-won utopia built on technologically-generated abundance, and also on complex and mandatory systems of labeling all public writing and speech. What seem to us normal gender distinctions are now distinctly taboo in most social situations. And most of the world’s population is affiliated with globe-girdling clans of the like-minded, whose endless economic and cultural competition is carefully managed by central planners of inestimable subtlety.
And in this world, Mycroft and Carlyle have stumbled on the wild card that may destabilize the system: the boy Bridger, who can effortlessly make his wishes come true. Who can, it would seem, bring inanimate objects to life…
“Bold, furiously inventive, and mesmerizing…It’s the best science fiction novel I’ve read in a long while.”
―Robert Charles Wilson, author of Spin
Captain Kel Cheris of the hexarchate is disgraced for using unconventional methods in a battle against heretics. Kel Command gives her the opportunity to redeem herself by retaking the Fortress of Scattered Needles, a star fortress that has recently been captured by heretics. Cheris’s career isn’t the only thing at stake. If the fortress falls, the hexarchate itself might be next.
Cheris’s best hope is to ally with the undead tactician, Shuos Jedao. The good news is that Jedao has never lost a battle, and he may be the only one who can figure out how to successfully besiege the fortress.
The bad news is that Jedao went mad in his first life and massacred two armies, one of them his own. As the siege wears on, Cheris must decide how far she can trust Jedao—because she might be his next victim.
“A tight-woven, complicated but not convoluted, breathtakingly original space opera.”
—New York Times
When Rosemary Harper joins the crew of the Wayfarer, she isn’t expecting much. The patched-up ship has seen better days, but it offers her everything she could possibly want: a spot to call home, a chance to explore the far-off corners of the galaxy, and some distance from her past. And nothing could be further from what she’s known than the crew of the Wayfarer.
The crew is offered the job of a lifetime: tunneling wormholes through space to a distant planet. Sure, they’ll earn enough money to live comfortably for years, but for Rosie, risking her life wasn’t part of the job description.
“[A] joyous, optimistic space opera… A heart-warming debut novel that will restore your faith in science fiction (specifically) and humanity (in general).”
Dragon’s Egg is a fun, clever look at life evolving on the surface of a neutron star, where one hour of human time is the equivalent of hundreds of years on the alien star.
While the extreme physics of the story may be accurate, Dragon’s Egg contains some of the most stilted dialogue I’ve come across in a long time, especially in the beginning. I found myself thinking that author Robert L. Forward must have talked to a human woman at some point in his life, but if so, that knowledge did not find its way to his book.
However, this is not a story you read for its character development. Dragon’s Egg is all about examining an alien race evolving on a sphere with a gravity of 67 billion Gs, and living at a million times the speed of humans. The story is most believable when it’s dealing with aliens, and it’s still a fun ride.
“Forward’s book is a knockout. In science fiction there is only a handful of books that stretch the mind—and this is one of them.”
—Arthur C. Clarke
This Immortal won the Hugo for Best Novel in 1966.
Conrad Nomikos has a long, rich personal history that he’d rather not talk about. And, as arts commissioner, he’s been given a job he’d rather not do. Escorting an alien on a guided tour of the shattered remains of Earth is not something he relishes—especially since it is apparent that this places him at the center of high-level intrigue that has some bearing on the future of Earth itself.
Revelation Space is a sprawling, hard-SF tale with enough original ideas for three thick novels. Seriously, it’s overflowing with the stuff. And it’s written by a guy with a PhD in astronomy, so all the science feels solid.
It’s got aliens, artificial intelligence, megastructures, colonized planets, ancient mysteries, cyborgs, big-ass spaceships, intrigue, betrayal, and murder. Reads don’t get much more satisfying than this.
“[A] tour de force… ravishingly inventive.”
In the far future, the human race is divided into two groups striving for power. The Patternmaster rules over all, the leader of the telepathic Patternist race whose thoughts can destroy or heal at his whim. The only threat to his power are the Clayarks, mutant humans created by an alien pandemic, who now live either enslaved by the Patternists or in the wild.
Coransee, son of the ruling Patternmaster, wants the throne and will stop at nothing to get it, even if it means venturing into the wild mutant-infested hills to destroy a young apprentice—his equal and his brother.
“Butler is one of the finest voices in fiction-period… A master storyteller with a voice that cradles and captivates, Butler casts an unflinching eye on racism, sexism, poverty and ignorance, and lets the reader see the terror and beauty of human nature.”
―Washington Post Book World
Winner of the Hugo and Nebula awards.
Conscripted into service for the United Nations Exploratory Force, a highly trained unit built for revenge, physics student William Mandella fights for his planet light years away against the alien force known as the Taurans.
Because of the relative passage of time when one travels at incredibly high speed, the Earth that Mandella returns to after his two-year experience has progressed decades and is foreign to him in disturbing ways.
Based in part on the author’s experiences in Vietnam, The Forever War is regarded as one of the greatest military science fiction novels ever written, capturing the alienation that servicemen and women experience even now upon returning home from battle.
The Justice of Toren was a colossal starship run by an artificial intelligence. That intelligence also linked thousands of human soldiers, each soldier’s mind completely run by the AI. These AI-run soldiers are known as ancillaries.
In an act of treachery, The Justice of Toren is destroyed, and the AI—now going by the name of Breq—is a single human body filled with unanswered questions and a burning desire for vengeance.
Ancillary Justice is the only novel ever to win the Hugo, Nebula, and Arthur C. Clarke Awards. Newspapers nationwide heaped praise on it.
And you know what? It’s a really good book. Clever, fun, inventive, occasionally shocking, and overall a great read with fascinating characters. I’m looking forward to reading the rest of the trilogy.
However, I was disappointed because all that praise made me think was going to be one of the most amazing science fiction books ever written, and that my life would be fundamentally different after reading it. It was good, but it wasn’t that good.
So, just make sure your expectations are a little more realistic than mine were, and you’ll probably love it.
“By turns thrilling, moving and awe-inspiring.”
A great old classic that invented the phrase “time machine.”
Just don’t watch the modern movie, because that ends in a fistfight for some reason.
In this near-future tale, magic exists alongside technology.
The rich and privileged have fled the city, barricaded it behind roadblocks, and left it to crumble. The inner city has had to rediscover old ways: farming, barter, herb lore. But now the monied need a harvest of bodies, and so they prey upon the helpless of the streets. With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, and the tragic mystery surrounding her mother and grandmother. She must bargain with gods, and give birth to new legends.
“[A] vivid world of urban decay and startling, dangerous magic, where the human heart is both a physical and metaphorical key.”
John Perry did two things on his 75th birthday. First he visited his wife’s grave. Then he joined the army.
The good news is that humanity finally made it into interstellar space. The bad news is that planets fit to live on are scarce―and alien races willing to fight us for them are common. So: we fight. To defend Earth, and to stake our own claim to planetary real estate. Far from Earth, the war has been going on for decades: brutal, bloody, unyielding.
Earth itself is a backwater. The bulk of humanity’s resources are in the hands of the Colonial Defense Force. Everybody knows that when you reach retirement age, you can join the CDF. They don’t want young people; they want people who carry the knowledge and skills of decades of living. You’ll be taken off Earth and never allowed to return. You’ll serve two years at the front. And if you survive, you’ll be given a generous homestead stake of your own, on one of our hard-won colony planets.
John Perry is taking that deal. He has only the vaguest idea what to expect. Because the actual fight, light-years from home, is far, far harder than he can imagine―and what he will become is far stranger.
“This virtuoso debut pays tribute to SF’s past while showing that well-worn tropes still can have real zip when they’re approached with ingenuity.”
―Publishers Weekly (starred review)
Isaac Asimov had been selling short stories for twelve years when he wrote Pebble in the Sky, his first novel. (Foundation was published the year after.)
One moment Joseph Schwartz is a happily retired tailor in 1949 Chicago. The next he’s a helpless stranger on Earth during the heyday of the first Galactic Empire.
Earth, he soon learns, is just a pebble in the sky, despised by all the other 200 million planets of the Empire because its people dare to claim it’s the original home of man. And Earth is poor, with great areas of radioactivity ruining much of its soil―so poor that everyone is sentenced to death at the age of sixty.
Joseph Schwartz is sixty-two…
The Martian is one of the most enjoyable science fiction books I’ve ever read. An astronaut is left behind on Mars, and must survive by himself for over a year, using only his wits and what was left behind by a few previous missions.
Author Weir does a masterful job in creating his highly likable, intelligent, and deeply human protagonist Mark Watney. The science in The Martian is hard and feels as real as stone.
This book is a great combination of man vs. nature à la Jack London, with the inventiveness of MacGyver, moments of laugh-out-loud humor, page-turning pacing, and plot twists that are surprising but in hindsight feel inevitable.
“Weir combines the heart-stopping with the humorous in this brilliant debut novel…by placing a nail-biting life-and-death situation on Mars and adding a snarky and wise-cracking nerdy hero, Weir has created the perfect mix of action and space adventure.”
—Library Journal (starred review)
This is Miller’s first and only novel, but he didn’t hold back: it spans thousands of years, chronicling the rebuilding of civilization after an apocalyptic event.
Despite early reviewers that called Miller a “dull, ashy writer guilty of heavy-weight irony,” it’s never been out of print in over 50 years.
When I think back to being blown away by books as a kid, The Martian Chronicles always comes to mind.
Bradbury imagines a place of hope, dreams, and metaphor—of crystal pillars and fossil seas—where a fine dust settles on the great empty cities of a vanished, devastated civilization. Earthmen conquer Mars and then are conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race.
In this classic work of fiction, Bradbury exposes our ambitions, weaknesses, and ignorance in a strange and breathtaking world where man does not belong.
The book that defined an entire genre (cyberpunk). And Gibson almost didn’t get it published because he was afraid it was too similar to the movie Blade Runner.
Case was the sharpest data-thief in the matrix—until he crossed the wrong people and they crippled his nervous system, banishing him from cyberspace. Now a mysterious new employer has recruited him for a last-chance run at an unthinkably powerful artificial intelligence. With a dead man riding shotgun and Molly, a mirror-eyed street-samurai, to watch his back, Case is ready for the adventure that upped the ante on an entire genre of fiction.
“A revolutionary novel.”
Anderson Lake is a company man, AgriGen’s Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok’s street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history’s lost calories.
There, he encounters Emiko… Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman, but now abandoned to the streets of Bangkok. Regarded as soulless beings by some, devils by others, New People are slaves, soldiers, and toys of the rich in a chilling near future in which calorie companies rule the world, the oil age has passed, and the side effects of bio-engineered plagues run rampant across the globe.
What happens when calories become currency? What happens when bio-terrorism becomes a tool for corporate profits, when said bio-terrorism’s genetic drift forces mankind to the cusp of post-human evolution?
“A captivating look at a dystopic future that seems all too possible. East meets West in a clash of cultures brilliantly portrayed in razor-sharp images, tension-building pacing, and sharply etched characters.”
—Library Journal (starred review)
In the twenty-fifth century, humankind has spread throughout the galaxy, monitored by the watchful eye of the U.N. While divisions in race, religion, and class still exist, advances in technology have redefined life itself. Now, assuming one can afford the expensive procedure, a person’s consciousness can be stored in a cortical stack at the base of the brain and easily downloaded into a new body (or “sleeve”), making death nothing more than a minor blip on a screen.
Ex-U.N. envoy Takeshi Kovacs has been killed before, but his last death was particularly painful. Dispatched one hundred eighty light-years from home, re-sleeved into a body in Bay City (formerly San Francisco, now with a rusted, dilapidated Golden Gate Bridge), Kovacs is thrown into the dark heart of a shady, far-reaching conspiracy that is vicious even by the standards of a society that treats “existence” as something that can be bought and sold.
“A fascinating trip… Pure high-octane science fiction mixes with the classic noir private-eye tale.”
If you haven’t read The Hitchhiker’s Guide to the Galaxy yet, then it’s perfect for a happy summer afternoon, toes in the sand, and perhaps a nearby Mai Tai.
This is one of the funniest books written in the English language. It begins with the destruction of Earth, and things go downhill from there.
Do not read this book around other people, because you will annoy them by laughing so much.
I’d argue that Frankenstein; or, The Modern Prometheus is the first science fiction novel. It’s certainly the first transhumanist one (though who knows what Shelley would have made of that term). It delves into the humanity of the monster and those around him, as opposed to the precise methods the doctor used to animate him.
Shelley published it anonymously in 1818, and 500 copies were printed.
It wasn’t until 1831 that the “popular” version was sold (which is probably what you’ve read). Shelley edited the book significantly, bowing to pressure to make the book more conservative. Many scholars prefer the 1818 version, claiming it holds true to Shelley’s original spirit.