“Lilypad” by Belgian architect Vincent Callebaut
From the “Monodramitic” project by photographer Daisuke Takakura
We haven’t figured out our morality when it comes to human clones. Should we make them or ban them? Should clones be treated like “normal” humans? How do we raise them? How does one deal with an illegal clone, or does the idea of being an illegal human even make sense?
I think author David Wong has invented “trailerpunk”—intelligent, funny, but low-income and low-achieving people save the world in all his books. In his latest, the near-future Futuristic Violence and Fancy Suits, a young woman with a horrible cat is forced to fend off a deeply psychotic and wildly enhanced billionaire cyborg.
Sure, all kinds of weirdness and wonder may exist within our solar system, but the feeling of actually traveling out among the stars is something special.
The Girl With All the Gifts is a wonderful book, which is odd praise for a story about zombies. But it’s surprisingly thoughtful, and at times, even tender, all while managing to be a fast-paced thriller. Every day I looked forward to reading it.
In a post-apocalyptic England, Melanie, along with other children, is imprisoned in a windowless bunker. They are all strapped down and muzzled whenever they leave their cells. No adult is allowed to touch them under any circumstances. Given who these children are, these are reasonable precautions. Then the installation is attacked, and Melanie is freed along with several adults, some who want her alive, some who want her dead, and others who want her dissected.
Recommendation: Buy it. This is fun, original writing with solid characters and an intense, powerful ride.
Some great books never get the public love we think they deserve. The books below are what I consider the best science fiction out there that keeps flying under the radar of public perception.
Riddley Walker is a unique, fascinating book. It takes places a few thousand years after a nuclear Armageddon in England when a young boy comes across a plan to recreate a weapon from the ancient world.
To Say Nothing of the Dog is one of the funniest science fiction books I’ve ever read. It isn’t a silly, knee-slapping romp like The Hitchhiker’s Guide to the Galaxy, but a calmer story that relies more on character interactions than external craziness.
Science fiction in China was repressed as recently as the 1980s as “spiritual pollution.” Fortunately, in the past two decades, Chinese science fiction has blossomed, and the United States is finally getting to read some of it.
Much of this access is due to the translation efforts of Ken Liu, an excellent author in his own right.
Want the big picture of science fiction from China? Well, in Ken’s own words:
“China is also going through a massive social, cultural, and technological transformation involving more than a billion people of different ethnicities, cultures, classes, and ideological sympathies, and it is impossible for anyone, even people who are living through these upheavals, to claim to know the entire picture.
China is dreaming, and its dreams contain multitudes.”
Many of the younger science fiction dreamers in China focus on short stories instead of books, so several of those are listed below. Links go to collections that contain their stories.
A while ago I had surgery. Nothing really major, but enough to put me in bed for several days. During this time, I read Abaddon’s Gate and loved it.